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Clement of Alexandria
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Introductory Note to Clement of Alexandria
[1531] [This refers to the natural tint of unbleached linen, or to wool not whitened by the art of the fuller. Hermas speaks of “pure undressed linen.” Book iii. 4, p. 40, supra.]
[1532] [The colour (probably, for mss. differ) reprehended as the dress of the false shepherd in Hermas. See note 10, book iii. Simil. 6. cap. ii. p. 36, this volume.]
[1533] Ecclus. xi. 4.
[1535] Prodicus, of the island Ceus.
[1536] Or by a conjectural emendation of the text, “If in this we must relax somewhat in the case of women.”
[1537] Various kinds of robes. [The peplus, or shawl of fine wool, seems to be specified in condemning the boast below, which asserts real wool and no imitation.]
[1538] Alluding to the practice of covering the fleeces of sheep with skins, when the wool was very fine, to prevent it being soiled by exposure.
[1543] [The bearing of this chapter on ecclesiastical vestments must be evident. It is wholly inconsistent with aught but very simple attire in public worship; and rebukes even the fashionable costumes of women and much of our mediæval æstheticism, with primitive severity. On the whole subject, see the Vestiarium Christianum of the Rev. Wharton B. Marriott. London, Rivingtons, 1868.]
[1544] [Based upon the idea that Joseph’s coat of many colours, which was afterwards dipped in blood, was a symbol of our Lord’s raiment, on which lots were cast.]
[1546] [Women’s tunics tucked up to give freedom to the knee, are familiar objects in ancient art.]
[1547] Iliad, v. 83.
[1548] Flax grown in the island of Amorgos.
[1550] [It was such designs which early Christian art endeavoured to supplant, by the devices on lamps, ΧΡ, ΑΩ., etc.]
[1551] υποδεδεσθαι τῷ δεδέσθαι. “Wearing boots is near neighbour to wearing bonds.”
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