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Arnobius
21. They say that Antiochus of Cyzicum took from its shrine a statue of Jupiter made of gold ten[4723] cubits high, and set up in its place one made of copper covered with thin plates of gold. If the gods are present, and dwell in their own images, with what business, with what cares, had Jupiter been entangled that he could not punish the wrong done to himself, and avenge his being substituted in baser metal? When the famous Dionysius—but it was the younger[4724]—despoiled Jupiter of his golden vestment, and put instead of it one of wool, and, when mocking him with pleasantries also, he said that that which he was taking away was cold in the frosts of winter, this warm, that that one was cumbrous in summer, that this, again, was airy in hot weather,—where was the king of the world that he did not show his presence by some terrible deed, and recall the jocose buffoon to soberness by bitter torments? For why should I mention that the dignity of Æsculapius was mocked by him? For when Dionysius was spoiling him of his very ample beard, which was of great weight and philosophic thickness,[4725] he said that it was not right that a son sprung from Apollo, a father smooth and beardless, and very like a mere boy,[4726] should be formed with such a beard that it was left uncertain which of them was father, which son, or rather whether they were of the same[4727] race and family. Now, when all these things were being done, and the robber was speaking with impious mockery, if the deity was concealed in the statue consecrated to his name and majesty, why did he not punish with just and merited vengeance the affront of stripping his face of its beard and disfiguring his countenance, and show by this, both that he was himself present, and that he kept watch over his temples and images without ceasing?
22. But you will perhaps say that the gods do not trouble themselves about these losses, and do not think that there is sufficient cause for them to come forth and inflict punishment upon the offenders for their impious sacrilege.[4728] Neither, then, if this is the case, do they wish to have these images, which they allow to be plucked up and torn away with impunity; nay, on the contrary, they tell us plainly that they despise these statues, in which they do not care to show that they were contemned, by taking any revenge. Philostephanus relates in his Cypriaca, that Pygmalion, king[4729] of Cyprus, loved as a woman an image of Venus, which was held by the Cyprians holy and venerable from ancient times,[4730] his mind, spirit, the light of his reason, and his judgment being darkened; and that he was wont in his madness, just as if he were dealing with his wife, having raised the deity to his couch, to be joined with it in embraces and face to face, and to do other vain things, carried away by a foolishly lustful imagination.[4731] Similarly, Posidippus,[4732] in the book which he mentions to have been written about Gnidus and about its affairs,[4733] relates that a young man, of noble birth,—but he conceals his name,—carried away with love of the Venus because of which Gnidus is famous, joined himself also in amorous lewdness to the image of the same deity, stretched on the genial couch, and enjoying[4734] the pleasures which ensue. To ask, again, in like manner: If the powers of the gods above lurk in copper and the other substances of which images have been formed, where in the world was the one Venus and the other to drive far away from them the lewd wantonness of the youths, and punish their impious touch with terrible suffering?[4735] Or, as the goddesses are gentle and of calmer dispositions, what would it have been for them to assuage the furious joys of[4736] the wretched men, and to bring back their insane minds again to their senses?
23. But perhaps, as you say, the goddesses took the greatest pleasure in these lewd and lustful insults, and did not think that an action requiring vengeance to be taken, which soothed their minds, and which they knew was suggested to human desires by themselves. But if the goddesses, the Venuses, being endowed with rather calm dispositions, considered that favour should be shown to the misfortunes of the blinded youths; when the greedy flames so often consumed the Capitol, and had destroyed the Capitoline Jupiter himself with his wife and his daughter,[4737] where was the Thunderer at that time to avert that calamitous fire, and preserve from destruction his property, and himself, and all his family? Where was the queenly Juno when a violent fire destroyed her famous shrine, and her priestess[4738] Chrysis in Argos? Where the Egyptian Serapis, when by a similar disaster his temple fell, burned to ashes, with all the mysteries, and Isis? Where Liber Eleutherius, when his temple fell at Athens? Where Diana, when hers fell at Ephesus? Where Jupiter of Dodona, when his fell at Dodona? Where, finally, the prophetic Apollo, when by pirates and sea robbers he was both plundered and set on fire,[4739] so that out of so many pounds of gold, which ages without number had heaped up, he did not have one scruple even to show to the swallows which built under his eaves,[4740] as Varro says in his Saturæ Menippeæ?[4741] It would be an endless task to write down what shrines have been destroyed throughout the whole world by earth quakes and tempests—what have been set on fire by enemies, and by kings and tyrants—what have been stript bare by the overseers and priests themselves, even though they have turned suspicion away from them[4742]—finally, what have been robbed by thieves and Canacheni,[4743] opening them up, though barred by unknown means;[4744] which, indeed, would remain safe and exposed to no mischances, if the gods were present to defend them, or had any care for their temples, as is said. But now because they are empty, and protected by no indwellers, Fortune has power over them, and they are exposed to all accidents just as much as are all other things which have not life.[4745]
24. Here also the advocates of images are wont to say this also, that the ancients knew well that images have no divine nature, and that there is no sense in them, but that they formed them profitably and wisely, for the sake of the unmanageable and ignorant mob, which is the majority in nations and in states, in order that a kind of appearance, as it were, of deities being presented to them, from fear they might shake off their rude natures, and, supposing that they were acting in the presence of the gods, put[4746] away their impious deeds, and, changing their manners, learn to act as men;[4747] and that august forms of gold and silver were sought for them, for no other reason than that some power was believed to reside in their splendour, such as not only to dazzle the eyes, but even to strike terror into the mind itself at the majestic beaming lustre. Now this might perhaps seem to be said with some reason, if, after the temples of the gods were founded, and their images set up, there were no wicked man in the world, no villany at all, if justice, peace, good faith, possessed the hearts of men, and no one on earth were called guilty and guiltless, all being ignorant of wicked deeds. But now when, on the contrary, all things are full of wicked men, the name of innocence has almost perished, and every moment, every second, evil deeds, till now unheard of, spring to light in myriads from the wickedness of wrongdoers, how is it right to say that images have been set up for the purpose of striking terror into the mob, while, besides innumerable forms of crime and wickedness,[4748] we see that even the temples themselves are attacked by tyrants, by kings, by robbers, and by nocturnal thieves, and that these very gods whom antiquity fashioned and consecrated to cause terror, are carried away[4749] into the caves of robbers, in spite even of the terrible splendour of the gold?[4750]
25. For what grandeur—if you look at the truth without any prejudice[4751]—is there in these images[4752] of which they speak, that the men of old should have had reason to hope and think that, by beholding them, the vices of men could be subdued, and their morals and wicked ways brought under restraint?[4753] The reaping-hook, for example, which was assigned to Saturn,[4754] was it to inspire mortals with fear, that they should be willing to live peacefully, and to abandon their malicious inclinations? Janus, with double face, or that spiked key by which he has been distinguished; Jupiter, cloaked and bearded, and holding in his right hand a piece of wood shaped like a thunderbolt; the cestus of Juno,[4755] or the maiden lurking under a soldier’s helmet; the mother of the gods, with her timbrel; the Muses, with their pipes and psalteries; Mercury, the winged slayer of Argus; Æsculapius, with his staff; Ceres, with huge breasts, or the drinking cup swinging in Liber’s right hand; Mulciber, with his workman s dress; or Fortune, with her horn full of apples, figs, or autumnal fruits; Diana, with half-covered thighs, or Venus naked, exciting to lustful desire; Anubis, with his dog’s face; or Priapus, of less importance[4756] than his own genitals: were these expected to make men afraid?
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